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On Libera

Posted by Sick Rose on 2023-January-3 21:02:37, Tuesday

I wrote this some 24 hours ago and intended to put it in the original thread

https://secure.boychat.org/messages/1603686.htm

but now that that thread is way down the board, I'm going to start a new thread.

Here goes.

TPKA Boychoirholic and TPKA GreySkoolShorts have taken me to task for being unfair to Libera. Maybe I was. I wrote the OP above in a white heat of rage and I let volleys fly that on reflection deserved at least some supporting evidence/argument.

I admit that when I follow links to Libera (I do that from time to time) I find off-putting the bouncy-bouncy pop disco beat that underlies a lot of what they seem to sing. Musical snobbery? Maybe. If they were singing in what is clearly a pop concert -- say, like a Korean boy band -- I wouldn't mind. It wouldn't be my thing but hey to each his own, chacun a son gout, de gustibus non disputandem est and all that.

It's that they dress up as real choirboys and sing in churches, fake or otherwise that bothers me. That's what I meant by parasitical -- there's an artistic dishonesty about what they seem to be about.

I first encountered Libera two decades ago when I visited the home of a fellow BL (one of the founders of this board, actually). He had a big collection of Libera videotapes and played me a couple. After a bit, we both started laughing -- it was so blatant that what was being "sold" was not the quality of their musicianship -- which admittedly was there; they were singing in pitch and on time and with a degree of verve -- it was their looks. I responded to those looks -- of course I responded; I'm a red-blooded human male hard wired to respond erotically to beautiful boys. But at the same time, I felt cheap, tawdry as if I were sneaking a look at porn.

Watch this, by contrast, to see what I mean (it's very short).

https://www.youtube.com/watch?v=UPJo9wpHU18

The boy in this group is there because he is a fine musician -- very very fine -- who has developed his natural gift to a peak of perfection. He wasn't recruited for his looks -- square, stolid kid, Welsh probably. The youth standing next to him in the purple polo shirt is the real hottie, even if past my personal sell date. Neither one of them, though, were recruited for their looks or to provoke an "aw- aren't-they-cute/hot!" reaction.

The boy's role in that recording session spotlights what we are losing as the whole artistic heritage of the West is trashed on the twin altars of wokeness and commercial pandering. There was no room in that recording session for anything but the highest standards.

Note the way in which males of several generations were working together to produce something of the highest value and most profound spiritual and artistic meaning -- that's what I cherish and what we have almost lost. It is the symbolic apotheosis of civilization. (as is this:
https://www.youtube.com/watch?v=O6-8Sa3Omuo Look at the boys. How many of them have the winsome, boyish faces that would qualify them for Libera? Sure, a few do but not most of them.)

Some years ago when I was living abroad I went to hear -- not Libera but the Boys Air Choir, a kind of competitor to Libera. The audience consisted almost entirely of women and girls, there to coo over pretty boys. To be sure, the boys were competent musicians, dressed in their white fluffy robes, and programmed a mixture of schlock and serious music. A few weeks later, the Regensberger Domspatzen performed in the same hall. They were dressed all in sober block and sang a meaty program of Schutz and Bach; the audience -- mixed by gender -- consisted of serious, knowledgeable music lovers, evident from the conversations I heard around me and the reception given the choir. They were received the same way that a performance by the Takács String Quartet playing Beethoven, Haydn, and Bartok would have been received -- as real musicians, which they were, not condescending, aww, aren't they sweet squealing.

I can understand the contention that the only way any shard of memory of the great boy-and-man choir tradition that lay at the heart of European civilization can survive is through groups like Libera. The ability to appreciate great music, to perceive the meaning of the myths to which the choirs gave voice (as Wagner and Tolkien pointed out, myths by their very nature embody condensed truths about the human condition) is dying. That the only hope of resurrecting the greatness that is being lost is through appeals to baser sentiments. (baser in the sense of being lower in the cortex, not dishonorable -- raw hunger triggered by the smells of grilling meat as opposed to the olfactory symphony on sniffing a great Bordeaux.)

But there is dishonesty at work here; no open admission that boys are hot. Rather, a sort of hinting at it in the hopes that fans will be drawn in by the hotness of the boys without admitting to themselves what is really drawing them.

Against that is the approach taken by the generation of conductors who are now retiring or dying off -- George Guest, Stephen Cleobury, Edward Higgenbottom, James O'Donnell-- not to cheapen the art form, but to lead the boys into ever greater challenges -- to resurrect the glories of early Tudor church music and venture into difficult 20th century repertory (e.g.
Poulenc; Frank Martin -- listen to the opening of this:

https://www.youtube.com/watch?v=-9PQsa8Jpzg -- that is choral greatness for you)

I acknowledge in the depths of despair that this approach has probably failed. The woke who now control the commanding heights of what's left of our culture hate and fear great art -- most particularly the boy and man choir because its very existence pronounces that the whole woke take on "gender" is a lie -- and are determined to wipe it out, which they are very effectively doing by insisting on "diversity."

So perhaps Libera's approach is the only way of saving something. I tend to doubt it -- I think starting with a simple acknowledgment that boys are hot (as yaoi does) offers more hope -- at least you start honestly about the nature of erotic desire.

But maybe I'm wrong. I'm not going to live long enough to see one way or another. I don't know how to survive in an age of such utter barbarism and dishonesty.

SR
Sick Rose

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