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The Art of War Author--Sun Tzu Language--Classical Chinese Subject--Military art Genre--Military strategy Publication date--5th century BC Publication place--China There are sure to be things in this book that could be useful for us, given our current situation and what we face. For example, subterfuge... What do you think? M. Actually, there's stuff useful for anyone dealing with today's realities... DOWNLOAD VARIOUS TRANSLATIONS AND FORMATS: https://annas-archive.org/search?q=The+Art+of+War+Sun+Tzu Full, unabridged Audiobook--YouTube 1 hour 13 minutes The Art of War by Sun Tzu https://www.youtube.com/watch?v=jxcMRkqaQdw ...it's better if you can pause the audio, to think about what he says. That's why reading is better than listening--you can re-read a passage as many times as it takes for you to understand it... GOOGLE TRANSLATION OF ORIGINAL CHINESE TEXT: https://zh-wikisource-org.translate.goog/wiki/%E5%AD%AB%E5%AD%90%E5%85%B5%E6%B3%95?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=es&_x_tr_pto=wapp From Wikipedia, the free encyclopedia The Art of War Author--Sun Tzu (traditional) Language--Classical Chinese Subject--Military art Genre--Military strategy Publication date 5th century BC Publication place China Original text The Art of War at Chinese Wikisource Translation--The Art of War at Wikisource Chinese name Traditional Chinese--孫子兵法 Simplified Chinese--孙子兵法 Literal meaning--"Master Sun's Military Methods" The Art of War is an ancient Chinese military treatise dating from the late Spring and Autumn period (roughly 5th century BC). The work, which is attributed to the ancient Chinese military strategist Sun Tzu ("Master Sun"), is composed of 13 chapters. Each one is devoted to a different set of skills or art related to warfare and how it applies to military strategy and tactics. For almost 1,500 years, it was the lead text in an anthology that was formalized as the Seven Military Classics by Emperor Shenzong of Song in 1080. The Art of War remains one of the most influential works on strategy of all time[1] and has shaped both East Asian and Western military theory and thinking.[2] The book contains a detailed explanation and analysis of the 5th-century BC Chinese military, from weapons, environmental conditions, and strategy to rank and discipline. Sun also stressed the importance of intelligence operatives and espionage to the war effort. Considered one of history's finest military tacticians and analysts, his teachings and strategies formed the basis of advanced military training throughout the world. The text was first translated into a European language in 1772, when the French Jesuit priest Jean Joseph Marie Amiot produced a French version; a revised edition was published in 1782. A partial translation into English was attempted by British officer Everard Ferguson Calthrop in 1905 under the title The Book of War. The first annotated English translation was completed and published by Lionel Giles in 1910.[3] Military and political leaders such as the Chinese communist revolutionary Mao Zedong, Japanese daimyō Takeda Shingen, Vietnamese general Võ Nguyên Giáp, and American generals Douglas MacArthur and Norman Schwarzkopf Jr. are all cited as having drawn inspiration from the book.[4] History Text and commentaries The Art of War is traditionally attributed to an ancient Chinese military general known as Sun Tzu (pinyin: Sūnzǐ), meaning 'Master Sun'. Sun Tzu is said to have lived in the 6th century BC, but the earliest parts of The Art of War probably date to at least 100 years later.[5] Sima Qian's Shiji, the first of China's Twenty-Four Histories, records an early Chinese tradition that a text on military matters was written by one Sun Wu (孫武) from the state of Qi, and that this text had been read and studied by King Helü of Wu (r. 514–495 BC).[6] This text was traditionally identified with the received Master Sun's Art of War. The conventional view was that Sun Wu was a military theorist from the end of the Spring and Autumn period (776–471 BC) who fled Qi to the southeastern state of Wu, where he is said to have impressed the king with his ability to quickly train officials, including court women, in military discipline—and to have made Wu's armies powerful enough to challenge the rival state of Chu to Wu's west. This view is still widely held in China.[7] The strategist and warlord Cao Cao in the early 3rd century AD authored the earliest known commentary to The Art of War.[6] Cao's preface makes clear that he edited the text and removed certain passages, but the extent of his changes were unclear historically.[6] The Art of War appears throughout the bibliographical catalogs of the Chinese dynastic histories, but listings of its divisions and size varied widely.[6] Authorship Fragments of The Art of War discovered as a part of the Yinqueshan Han Slips, showing the version of The Art of War that was popular in Han dynasty (206 BC – 220 AD) Beginning around the 12th century, Sun Tzu's historical existence began to be questioned by Chinese scholars, primarily on the grounds that he is not mentioned in the historical classic Zuo Zhuan, which mentions most of the notable figures from the Spring and Autumn period.[6] The name "Sun Wu" (孫武) does not appear in any text prior to the Records of the Grand Historian,[8] and has been suspected to be a made-up descriptive cognomen meaning "the fugitive warrior", glossing the surname "Sun" as the related term "fugitive" (xùn 遜), while "Wu" (wǔ 武) is (1) the ancient Chinese virtue of "martial, valiant" and (2) a Jianghuai dialectal synonym of 士; shì "knight",[9][10] which corresponds to Sunzi's role as the hero's doppelgänger in the story of Wu Zixu.[11] In the early 20th century, the Chinese writer and reformer Liang Qichao theorized that the text was actually written in the 4th century BC by Sun Tzu's purported descendant Sun Bin, as a number of historical sources mention a military treatise he wrote.[6] Unlike Sun Wu, Sun Bin appears to have been an actual person who was a genuine authority on military matters, and may have been the inspiration for the creation of the historical figure "Sun Tzu" through a form of euhemerism.[11] In 1972, the Yinqueshan Han slips were discovered in two Han dynasty (206 BC – 220 AD) tombs near the city of Linyi in Shandong.[12] Among the many bamboo slip writings contained in the tombs, which had been sealed between 134 and 118 BC, were two separate texts: one attributed to "Sun Tzu", corresponding to the received text, and another attributed to Sun Bin, which explains and expands upon the earlier The Art of War by Sunzi.[13] The Sun Bin text's material overlaps with much of the "Sun Tzu" text. The two may be "a single, continuously developing intellectual tradition united under the Sun name".[14] This discovery showed that much of the historical confusion was due to the fact that there were two texts that could have been referred to as "Master Sun's Art of War", not one.[13] The content of the earlier text is about one-third of the chapters of the modern The Art of War, and their text matches very closely.[12] It is now generally accepted that the earlier The Art of War was completed sometime between 500 and 430 BC.[13] Chapters The Art of War is divided into 13 chapters (or piān); the collection is referred to as being one zhuàn ("whole" or alternatively "chronicle"). The Art of War chapter names and contents Contents I *****Laying Plans *****The Calculations *****Initial Estimations *****Detail Assessment and Planning (Chinese: 始計; pinyin: shîjì) *****First Calculations *****Explores the five fundamental factors (the Way, seasons, terrain, leadership, and management) and seven elements (which of the two sovereigns is imbued with the way or moral law, which side's general is more capable, which side has superior in right time and right place, which side's laws and regulations can be enforced more strictly, which side has more resources, better equipment and stronger army, which side's officers and men are more well-trained and more capable of fighting, which side's rewards and punishments are more fair and clear) that determine the outcomes of military engagements. By thinking, assessing and comparing these points, a commander can calculate his chances of victory. Habitual deviation from these calculations will ensure failure via improper action. The text stresses that war is a very grave matter for the state and must not be commenced without due consideration. II *****Waging War *****The Challenge *****Waging War *****Waging War (作戰; zuòzhàn) *****Initiating Battle *****Explains how to understand the economy of warfare and how success requires winning decisive engagements quickly. This section advises that successful military campaigns require limiting the cost of competition and conflict. III *****Attack by Stratagem *****The Plan of Attack *****Planning Offensives *****Strategic Attack (謀攻) *****Planning an Attack *****Defines the source of strength as unity, not size, and discusses the five factors that are needed to succeed in any war. In order of importance, these critical factors are: Attack, Strategy, Alliances, Army and Cities. IV *****Tactical Dispositions *****Positioning *****Military Disposition *****Disposition of the Army (軍形) *****Forms to Perceive *****Explains the importance of defending existing positions until a commander is capable of advancing from those positions in safety. It teaches commanders the importance of recognizing strategic opportunities, and teaches not to create opportunities for the enemy. V *****Use of Energy *****Directing *****Strategic Military Power *****Forces (兵勢) *****The Disposition of Power *****Explains the use of creativity and timing in building an army's momentum. VI *****Weak Points and Strong *****Illusion and Reality *****Vacuity and Substance *****Weaknesses and Strengths (虛實) *****Weak and Strong *****Explains how an army's opportunities come from the openings in the environment caused by the relative weakness of the enemy and how to respond to changes in the fluid battlefield over a given area. VII *****Maneuvering an Army *****Engaging The Force *****Military Combat *****Military Maneuvers (軍爭) *****Contending Armies *****Explains the dangers of direct conflict and how to win those confrontations when they are forced upon the commander. VIII *****Variation of Tactics *****The Nine Variations *****Nine Changes *****Variations and Adaptability (九變) *****Nine Contingencies *****Focuses on the need for flexibility in an army's responses. It explains how to respond to shifting circumstances successfully. IX *****The Army on the March *****Moving The Force *****Maneuvering the Army *****Movement and Development of Troops (行軍) *****Fielding the Army *****Describes the different situations in which an army finds itself as it moves through new enemy territories, and how to respond to these situations. Much of this section focuses on evaluating the intentions of others. X *****Classification of Terrain *****Situational Positioning *****Configurations of Terrain *****Terrain (地形) *****Conformations of the Lands *****Looks at the three general areas of resistance (distance, dangers and barriers) and the six types of ground positions that arise from them. Each of these six field positions offers certain advantages and disadvantages. XI *****The Nine Situations *****The Nine Situations *****Nine Terrains *****The Nine Battlegrounds (九地) *****Nine Kinds of Ground *****Describes the nine common situations (or stages) in a campaign, from scattering to deadly, and the specific focus that a commander will need in order to successfully navigate them. XII *****Attack by Fire *****The Fiery Attack *****Incendiary Attacks *****Attacking with Fire (火攻) *****Attacks with Fire *****Explains the general use of weapons and the specific use of the environment as a weapon. This section examines the five targets for attack, the five types of environmental attack and the appropriate responses to such attacks. XIII *****Use of Spies *****The Use of Intelligence *****Employing Spies *****Intelligence and Espionage (用間) *****Using Spies *****Focuses on the importance of developing good information sources, and specifies the five types of intelligence sources and how to best manage each of them. [...]According to some authors, the strategy of deception from The Art of War was studied and widely used by the KGB: "I will force the enemy to take our strength for weakness, and our weakness for strength, and thus will turn his strength into weakness".[...] Notable translations Sun Tzu on The Art of War. Translated by Lionel Giles. London: Luzac and Company. 1910. The Art of War. Translated by Samuel B. Griffith. Oxford: Oxford University Press. 1963. ISBN 978-0-19-501476-1. Part of the UNESCO Collection of Representative Works. Sun Tzu, The Art of War. Translated by Thomas Cleary. Boston: Shambhala Dragon Editions. 1988. ISBN 978-0877734529. The Art of Warfare. Translated by Roger Ames. Random House. 1993. ISBN 978-0-345-36239-1. The Art of War. Translated by John Minford. New York: Viking. 2002. ISBN 978-0-670-03156-6. The Art of War: Sunzi's Military Methods. Translated by Victor H. Mair. New York: Columbia University Press. 2007. ISBN 978-0-231-13382-1. Full, unabridged Audiobook--YouTube 1 hour 13 minutes https://www.youtube.com/watch?v=jxcMRkqaQdw GOOGLE TRANSLATION OF ORIGINAL CHINESE TEXT: https://zh-wikisource-org.translate.goog/wiki/%E5%AD%AB%E5%AD%90%E5%85%B5%E6%B3%95?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=es&_x_tr_pto=wapp DOWNLOAD VARIOUS TRANSLATIONS AND FORMATS: https://annas-archive.org/search?q=The+Art+of+War+Sun+Tzu [@nonymouse] [Guardster] [Proxify] [Anonymisierungsdienst] |